Life is awesome. Things are just crashing together in an effort to enlighten me. Sorry I hadn’t written for a while but I am breathless with the thrill of living. Len has finished giving e a make over. I am now a professor. My eye permits me to admit that I am now quite beautiful. This is confirmed (if there was a doubt) with people turing to ogle me wherever I go.
That’s the physical beauty, but the mental state is something else. I understand most things. I thought that this was normal, but when I was first thrown into the herd it didn’t tale me long to realize that I had a gift. Since I found this out I give thanks to the universal bovine consciousness. I am humbled by my gift. Anyway, back to Len. Early in January, Len was working on my clothes as well as doing the first painting for 2010. It’s an awesome experience to be able to watch the illusion grow on the canvas. I can now see that the painting is of ripples made on a river as a canoe breaks the still surface. The broken and fractured scene is of the barren reflections. Both in the sun and in the shade. The ripples are larger then what a stone throw in the water would make and this affords a strange illusion. It looks abstract, but is in fact true to life. Realistic. Wet looking. This result is more astounding the father you step back from the painting. On close inspection the colours are thick. The Italians would call it Molto Impasto, it is so thick and luscious. At one stage in the painting, Len turned the canvas upside down. When I asked him why he did this, he said that while looking at the photography for guidance for the colours, he let the knowledge that it was reflections and ripples prejudice his attitude. Painting undulations where he knew undulations would be. I know what he means, simple science tell you that they make their way outwards from a source and bounce off objects in their way. When I looked at the photograph the reflected landscape covered the fluid water character, that I knew was there somewhere underneath. So to put the painting upside down, Len was forced to contemplate where the colours and tones were and not the scene.
He’s got all the tricks, but I suppose he should have. He’s got around 41 years of professional experience, making him unencumbered with all doubt and hesitation. Len finished the painting on about the 17th of January.
On the 22nd of January, Len, Lincon (Len’s son) and I went to Boddington because Len was conducting a sculpture workshop. He went on Friday to be properly prepared for Saturday. On Friday evening, Len went to the Youth Club and encouraged the young people to take advantage of his presence in the town. This was a good move because several of the young folk did turn up on Saturday. That evening we had lots of salads, the boys has salmon.
Saturday started with the young bloke, Allan, showing up, we had met him at the youth club. Then lots of other poured in through out the day. With the help of the young folk Len compacted several 44 gallon drums full of sand cement and lime. The carving began! Today we made an two-sided Aztec character, an owl-octapus, the heart of a mouse, seated dolls and, amongst all of this, was some maintenance on an enormous standing bull figure.
At lunchtime we had ice-creams on cones, chips, burgers and fish - a veritable banquet! At 5pm we left for Perth, the rest of them went to a 30th birthday party for a lovely lady with an 80s theme. On Thursday, 28th January, Len had two guests for his studio night, Richard Pawlack, a town planner with a sore back, and Joe, a frier from Ireland on a visit to Australia. The Frier was interested to see how Len paints and draws. To this end, Len painted a wild floral tribute. Demonstrating his spontaneous, explosive and unbridled style.Using acrylic pigments he was almost vicious to the canvas, building up steam as he went. Giving the acrylics the character of oils, but not their impatient personality. The thick colours dried in a day, then the oil stage came. More brilliant than the last. The second painting was a caricature of Joe the Frier, holding his hat and standing in his socks and sandals. The harmony of time, materials, subject matter and desire were perfect and both artworks were successful. There was a wood fired BBQ with chicken and fish. I’m a vegetarian but I am tolerant of all things necessary for the circle of life syndrome.
It was palindrome day (01/02/2010) on Monday, and Len has since delivered me to the Cow Transport Depot in Dowd St, Wellshpool. There are several of us personalities waiting to be delivered to the Margaret River District.
Oh, I must add that there was an article in the Sunday Times that focussed on negativity of the Cow Parade. The knockers should go an mow the lawn. No one approached me or Len for our opinions, so where are they drawing their facts from? They haven’t facts, because the facts and figures are still evolving. I would never have been if it wasn’t for Cow Parade and the fortuitous meeting with Len Zuks. Len worked alone on some of the hottest and most uncomfortable days of the year (Len is ugly in shorts and no shirt). But he was fully immersed in the moments of creativity. There were phone call from artists who has encountered problems. Like Chris Tate and his surfer cow.
The Cow Parade has allowed the catching up with old friends and the expansion of a support network. Len himself has said that this exhibition is more relaxed and has an immediate and international coverage. The cow Parade is more like the Beach Exhibitions and embraces the art buyer or collector as well as the average individual. It introduces them accidentally into International Arts Culture. All this is happening and the show hasn’t ever started! See you all down south.
Don’t forget to come and see me at Augusta. Time are moovin! This is my time now.
I don’t want the knockers to rain on my parade.